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Bush Women |
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As
the paradoxical name suggests, the New York City based dance
troupe Urban Bush Women combines the spiritual elements of
traditional African and Caribbean dance, song, and music with
contemporary, Western dance forms. Artistic director Jawole
Willa Jo Zollar describes UBW as "an ensemble dedicated to
using cultural expression as a catalyst for social change."
Armed
with an arsenal of cultural history, Urban Bush Women is not
afraid to tackle issues of racism, sexism, or homophobia.
Content equals form in the work of Urban Bush Women: they
make dances about communities as a community. UBW often invites
the audience to dance onstage after a performance, breaking
the theatrical "fourth wall" that usually separates
audiences from performers. Their sense of community extends
into a larger arena in UBW's educational workshops, long-term
residencies, community organizing, and leadership development
which teach improvisation as a tool for educational reform
and social change. The goal is to empower the disenfranchised
through creativity and culture.
This
troupe loves, affirms, and deliriously celebrates the female.
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©dwij
2003 |
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Anything luscious or luminous is grist for Zollar's
mill: the blues, cat-like yoga, Afro-Cuban guaguanco
rhythms, martial arts kicks, West
African dance isolations, voodoo undulations, streetcorner
gossip fests, Saturday night disco, Sunday mornin' testifyin'.
The
performers create a community, displaying awesome humor
and raising poignant emotions in their audiences; and
there's an abundance of affection to go around as folks
are invited to cross over the footlights and join in.
Urban Bush Women creates a party that is educational
and guaranteed to touch the soul.
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